How
did I start on the road to getting a Ph.D.?
Basically, comics and the sports’ section. They gave me an appreciation for simple
stories told well.
The
comics, or “jokes” in our house, were a riot of color and humor and adventure
every Sunday. There was Prince Valiant
to go with Moon Mullins, Gasoline Alley, Terry and the Pirates and Smilin’
Jack, to say nothing of the surreal Smokey Stover, featuring the fireman with a
hinged hat (I think). If you grew up on
these strips, graphic novels aren’t that big a deal.
And
then we have Carl Barks. Who? Barks was the creator of Uncle Scrooge
McDuck, Gladstone Gander and Gyro Gearloose, all of whom lived with Donald Duck
in the city of Duckburg; Uncle Scrooge had his Money Bin there. Barks wasn’t afraid to use the occasional
three- and four-syllable word to advance a story, which led me to pick up the
dictionary outside of school. If the
folks at Wikipedia are right, Steven Spielberg and George Lucas both claim
Barks as an influence.
Of
course, I didn’t spend all my time reading comics; I also saved time for the sports’
section. We were a two-paper family, the
Chicago American and Tribune; later came the Sun-Times and Daily News. The sportswriters I remember most are David
Condon and Bill Gleason, though just about anyone else from 1960-1980 employed
the same style as those two: subject, verb, object, keep it lively, short and
to the point. Oh, and Harry Shear,
because he used the word “Quidnunc” in his column. It means “gossip,” noun not verb.
I
don’t claim to be a good writer, but I know good writing when I read it. And I don’t know what, if anything,
encourages kids to start reading today.
But I’m willing to bet the farm the following sentence will drive the
young away from the printed word, unless it appears on their iPhone
screen: “[Bears’ linebacker Christian]
Jones has improved his eye discipline against play action.”
A few more years of
prose like that, and sports’ journalism will be dead. No joke.