In a way, it was unfair since I
knew how Clare would react—part shark, Old Faithful and Mt. Vesuvius. “Here,” I said after Easter dinner, “read
this,” a reassessment of the movie “Field of Dreams.” Wait for it, just wait, now: “Why did you have me read this?” Just toying with you, child.
Paul Newberry, an AP writer, must
have run out of column ideas, so he decided to pick on this now 30-year old
classic starring Kevin Costner, James Earl Jones and Burt Lancaster. Newberry wasn’t buying any talk of baseball
or FOD being “some sort of timeless metaphor for connecting to your past and
understanding what America is really all about.” No, sirree.
“In reality, it’s just another terrible film.”
Outside of noting how the movie
avoids any mention of baseball’s color line, Newberry doesn’t offer much in the
way of substantive criticism. Oh, wait,
he thinks Roy Liotta as Shoeless Joe Jackson was trying out his wise-guy
persona that would inform “Goodfellas” a year later. Now, most fair-minded critics of FOD have a
different problem with Liotta’s portrayal of Shoeless Joe, playing him
right-handed while the real Jackson threw and hit lefty. Oh, well, by his own admission Newberry says
he belongs to a group commonly known as “lazy sportswriters.” Indeed.
What I really didn’t like was his
recommendation of “Bull Durham,” what he considers a Costner baseball movie “with
some entertainment value.” Oh, really? Because we all want our daughters to grow up
and be baseball Annies or that’s how we ought to see women in general? Thanks, but no thanks.
For me, it’s not so
much the what of “Field of Dreams” as the where, that converted cornfield
outside of Dyersville, Iowa. We took
Clare there twice, the second time when she was twelve and had just hit her
first moonshot of a homerun, this in Bronco baseball. I’d brought along a bucket of baseballs and
proceeded to pitch a little BP to my daughter; she nearly took my head off on
one line drive. The ball rolled nearly
to the corn, and I think I saw a hand reach out and try to take it.
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